Actors’ Sacrifices; Two Views on Forgiveness

I have two thoughts for today:

1.  Yesterday, I watched an excellent documentary called The Captains, in which William Shatner of Star Trek fame interviewed other actors who played captains on a Star Trek show or movie (Patrick Stewart, Avery Brooks, Kate Mulgrew, Scott Bakula, and Chris Pine), as well as shared his own reflections about Star Trek.

What particularly stood out to me in the documentary were comments by Scott Bakula and Kate Mulgrew, both of whom I love as actors.  Scott Bakula was saying that working on Quantum Leap essentially cost him his marriage, since he was working 12-hour days (at least), with rarely a day off.  Because he was a fairly new actor and thus did not have the leverage to negotiate his hours, he showed up when he was needed.  Kate Mulgrew of Star Trek: Voyager said that she was a single mother during the Voyager days, and she did not get to see her kids that much on account of her long workdays.  To this day, she said, her kids are not interested in the show—-they do not want to watch it—-for they resent how it took their mother away from them.  I can’t imagine not wanting to watch Star Trek: Voyager, but, of course, I enjoy it from a distance, without being exposed to all that it took to make it, or how that affected other people.

2.  Rachel Held Evans has a post, Ask a Seventh-Day Adventist.  As I discuss the issues of forgiveness and salvation in the comments section with Delina Pryce McPhaull and Nicholas, I am seeing more clearly the type of Christianity that I had growing up, and how that contrasts with the sort of Christianity that I encountered among evangelicals.

The type of Christianity that I had growing up (in Armstrongism) went like this: I accept Christ as my personal savior and my past sins are forgiven.  But I need to continue to ask God for forgiveness to keep my slate clean, and God forgives me continually on the basis of what Christ did on the cross.  But asking God for forgiveness is not enough for me to be forgiven on a continual basis, for I also need to repent (i.e., try not to do the sin anymore) and forgive others.

The sort of Christianity that I encountered among evangelicals went like this: I accept Christ as my personal savior and God then regards me as righteous and as a child of God, even though I still have imperfections.  I confess my sins to God, ask God for forgiveness, repent, and forgive others, not to keep my slate clean, for it’s already clean in God’s sight after I accept Christ.  Rather, I do these things to enrich my relationship with God and perhaps even to make myself feel better.

These are my impressions.  I can’t be absolute here, for I think that there were some elements of the second view in my religious upbringing.  But there was enough of the first view swimming around in my mind that, when I was in an evangelical small group and heard the leader say that one did not have to repent of every sin to be saved, I was shocked.

Ruether and Animal Rights

In Gaia and God, Rosemary Ruether talks about animal rights. On page 196, Ruether says something about Rene Descartes that caught my eye, since I like animals:

“Descartes reduced animals to ‘automata,’ which appear to be lifelike but are actually moved by mechanical power, like clocks.  This view also was used to justify vivisectional experimentation on animals, by assuring the experimenters that the cries and writhings of animals were mechanical reflexes.  Since animals lack ‘soul,’ they cannot possibly ‘feel.’  In effect, Descartes severed the continuum between organic body, life, sensibility, and thought.  This continuum was split into thought, found in God and the human mind, and dead matter in motion.”

The words “cries” and “writhings” in that passage are quite powerful, since “cries” and “writhings” are the things that indicate that animals feel—the very things that should elicit our compassion as human beings.

Ruether talks about extreme animal rights activists.  But she herself is not a preservationist.  She observes in nature that there is a balance that consists of predators and prey.  On page 301, she mentions an article that “showed how sentimental attachment to elephants resulted in a proliferation of these animals that virtually destroyed the huge area of the Kenyan Wildlife Park as a life-bearing habitat for elephants and any other life.”  She does recommend that people eat lower on the food chain, on account of the cruelty to animals that occurs through factory farming (page 223), as well as the land in Third World countries that is cleared to produce meat for the “United States and local elites, reducing the land for grain crops that feed the poor” (page 285).  But she does not think that vegetarianism should be an absolute rule for everyone, for there are natural methods of raising animals for food, plus, for Third World peasants,  “the occasional chicken or pig” may be an “indispensable part of an otherwise very limited diet” (page 225).

On page 226, Ruether says what she does advocate:

“The rights of sentient animals to be free of excessive pain and to enjoy a modicum of qualitative life, even if their final fate is the human dinner table; the need for ‘wilderness’ habitats to have a balance of predator and prey, if some animals are not to destroy their own carrying capacity; the need to preserve biotic diversity and prevent rapid extinction of species—all these are values that need to be defended.”

Back when I was reading some introductory books about Judaism in college, I appreciated Judaism’s compassion for animals—how Jews slaughter animals for food in a manner that causes the animals no pain. Yes, we can eat animals, but we should be compassionate for all sentient life.

But are there times when the well-being of humans may necessitate the pain of animals?  I remember an episode of Quantum Leap in the 1990′s, entitled “The Wrong Stuff.”  In that episode, Sam quantum lept into a monkey, and Sam needed to get the monkey into the space program so that his head wouldn’t be smashed in a helmet testing experiment.  One of the scientists was very protective of the monkeys, whereas another scientist gave an impassioned speech about how the helmet tests save pilots’ lives.  Some wonder if there are other ways for us to accomplish our goals, or if our advanced technology is worth the pain that animals experience.

Published in: on March 26, 2011 at 4:42 am  Leave a Comment  

Choice

For Women’s History Month today, I have two items:

1.  One of my favorite movies about feminism is Mona Lisa Smile, a 2003 movie starring Julia Roberts.  I’ll probably watch it on Wednesday, March 31, the last day of Women’s History Month.  On it, Julia Roberts plays an art professor at Wellesley College during the 1950′s.  She wants her students to be so much more than housewives.  For example, she desires for the Julia Stiles character to attend Yale Law School and become a lawyer.  And Kirsten Dunst plays a conservative student who undermines the Julia Roberts character at every turn and actually looks forward to becoming a housewife.

But what’s beautiful about the movie (in my opinion) is that it neither promotes feminism in a heavy-handed manner, nor does it support the Feminine Mystique, the notion that women can only be fulfilled as wives and mothers.  Rather, it favors choice.  The Julia Stiles character decides not to go to Yale and become a lawyer, but rather to stay at home with her husband and raise children.  And, after the Kirsten Dunst character learns that her husband is cheating on her, she feels devastated—as if she has failed as a woman.  At the end of the movie, she decides to become a lawyer.  “I wouldn’t want to confront you in court!”, Julia Roberts tells her, after they reconcile.

What’s ironic is that Julia Roberts played a die-hard feminist in that movie, yet she herself at the time was looking forward to staying at home with her children and doing housework.  Here are some quotes from an interview with her that appeared in Reader’s Digest (see here):

Reader’s Digest: It wasn’t quite what you’d imagine: Hollywood’s most bankable movie star, at home in California, wearing sweaty workout clothes (she’d just finished a yoga class), knitting (a baby blanket for a friend’s newborn) and confiding that, “It’s tricky to swing dance in a girdle.” We’ll get back to the girdle. For now let’s put it this way: That’s Julia Roberts.  Fifteen years into a career that started with Mystic Pizza and won her an Oscar as Erin Brockovich, the Pretty Woman star is back with another mind-bending role. In Mona Lisa Smile, out this month, Roberts plays a free-thinking professor of art history who challenges the conservative, altar-bound young women of Wellesley College in the uptight 1950s. Hence the girdle, the only concession to tradition for her rebellious character.

RD: In Mona Lisa Smile, you’re accused of waging a war on marriage. And here you are, Miss Happily Married.
Roberts: It was one of the paradoxes of playing this character because when we started I was a newlywed — I still had rice in my hair. She’s a woman who’s not anti-marriage but is pro-independence and concerned — truly, deeply, tenderly concerned — that these Wellesley girls are going to throw away so much to simply become housewives. It was a moment when the thing that I believed in most, the focus of my heart, was being a housewife. And it was interesting to play this person who I’m not dissimilar to — and yet I’ve kind of morphed into the other side of that coin.
Of course, Julia Roberts probably doesn’t have the problems that Betty Friedan identified in the Feminine Mystique: Julia does not lack a sense of self, nor is her identity subsumed in her husband and children.  She’s Julia Roberts, the accomplished actress!  But, as a newlywed, she was looking forward to being a housewife and a mother.  That’s what she yearned for in that season of her life.  She wanted to be with her children and to watch them grow up.

RD: I have read that you actually like cleaning house. Tell me it’s not true.
Roberts: Well, it is. This morning my husband went to work and I did laundry. I’m happy to report I’m not anal, but I’m a good housekeeper.

2.  As I said in my post, Feminine Mystique 1, the show Quantum Leap had some excellent episodes on feminism.  My favorite Quantum Leap episode (period) is “Liberation,” in which Sam leaps into a housewife during the Women’s Liberation Movement.  See Liberation for information, as well as quotes from the episode.  There are so many things that I like: Sam’s sexist husband being willing to give a woman at work a chance after (at Sam’s prompting) she presents her ideas for the company; the feminist leader who hates men because her dad abused her when she was little, and who punches a cop while saying, “Let go of me, you’re not my father!”; Sam’s quotation of his stay-at-home mom, who said in the 1960′s-1970′s that women’s liberation is probably a good idea—for other women, and yet her husband (Sam’s father) never treated her in the patronizing manner with which some traditionalist men regarded their wives; the way that Sam earned the respect of a police-officer for women’s rights after persuading the feminist leader to put down her gun, while she was holding up a men’s lodge.

Here is some dialogue from the scene in which Sam is trying to convince the feminist leader—Diane—to put down her gun.  Suzi is Sam’s daughter:

Diana: “You’re asking us to quit. Just like you quit. I won’t be like you! Just take a good look at yourself. You’re just like my mother. You’re turning into the dutiful house frau. A messenger for the oppressor.”

Sam: “Housewives and mothers are not your enemy. They’re your ally. Now don’t segregate us!”

Diana: “They’ll never let me play fair. We need to take a stand. (Her voices rises) “Are you with me or this housewife?”In my opinion, Mona Lisa Smile and that episode of Quantum Leap indicate that the present trend in women’s issues is in favor of choice: that women should have opportunities to work, but that it’s perfectly acceptable if they choose to stay home and be wives, mothers, and homemakers.   

Suzi: “You said this was about choice. There’s nothing wrong with being a housewife. Mom’s right. We’ll never get anywhere if we keep blaming each other and fighting among ourselves.”

Published in: on March 29, 2010 at 8:53 pm  Leave a Comment  

Feminine Mystique 1

Today, I started Betty Friedan’s 1963 feminist classic, The Feminine Mystique.  I first learned of this book from an episode of Quantum Leap, which, interestingly, had a couple of good episodes on feminism!  The one I’m thinking about was entitled “Runaway.”  Sam lept into a 13 year-old boy, whose sister was continually tormenting him!  The year was 1964, and his family was on a cross-country trip.  The dad was driving, while the mom was reading Betty Friedan’s Feminine Mystique.  Sam’s mission was to keep the mom from running away from her family with an old boyfriend, out of discontent with her role as a homemaker.  But it turns out that she didn’t run away at all, but she fell off a cliff.  Fortunately, with Sam’s help, she got rescued, right before he paid back the sister for all of her bad deeds!  And the mother found a way to support her family, while also pursuing other hopes and dreams.

So what is the “feminine mystique”?  Ms. Friedan actually defines it on page 37:

The feminine mystique says that the highest value and the only commitment for women is the fulfillment of their own femininity.  It says that the great mistake of Western culture, through most of its history, has been the undervaluation of this femininity.  It says this femininity is so mysterious and intuitive and close to the creation and origin of life that man-made science may never be able to understand it.  But however special and different, it is in no way inferior to the nature of man; it may even in certain respects be superior.  The mistake, says the mystique, the root of women’s troubles in the past is that women envied men, women tried to be like men, instead of accepting their own nature, which can find fulfillment only in sexual passivity, male domination, and nurturing maternal love.

And so the “feminine mystique” is a myth that tells women to embrace their natural, God-given, and mysterious role as women—as wives and mothers.  According to this myth, that is the only way that women can find fulfillment in life.  Ms. Friedan’s problem with this widely-propagated myth is that she knows of many women who do not find fulfillment in this role.  They wonder if there’s more to life than taking care of their kids and their husbands.  Many of them went to college and gave up their dreams to have a family.  And, while there are housewives who’ve tried to cure their boredom with hobbies, committees, and PTA events, they feel that their own individuality has been lost in their role as somebody else’s wife or mother. 

From what I can see so far in Ms. Friedan’s book (and my impression is subject to correction as I continue to read it), it wasn’t necessarily the case that women were deemed unintelligent within their traditional role.  On pages 18-19, Ms. Friedan refers to a humorist who said that, before women got the right to vote in the nineteenth century, “she left all her political decisions to her husband and he, in turn, left all the family decisions to her.”  It takes a lot of intelligence to make decisions for the family! 

And, remember Phyllis Schlafly’s statement in her 1977 work, The Power of the Positive Woman, that “A housewife is a home executive: planning, organizing, leading, coordinating, and controlling” (46)?  About thirty years before Mrs. Schlafly wrote that statement, columnist Dorothy Thompson made a similar point in the March 1949 Ladies’ Home Journal.  Although (as Friedan notes) Thompson had a career as a “newspaper woman, foreign correspondent, [and] famous columnist” (36), she had the audacity to tell women that they should celebrate their role as housewives rather than complaining about it.  Thompson states that, if a housewife were to fill out a resume, “You might write: business manager, cook, nurse, chauffeur, dressmaker, interior decorator, accountant, caterer, teacher, private secretary—or just put down philathropist.”  Moreover, Friedan paraphrases Thompson to assert that “The homemaker, the nurturer, the creator of children’s environment is the constant recreator of culture, civilization, and virtue” (36-37).  So, as far as Dorothy Thompson is concerned, women should be proud to be housewives, for such a role demands a lot of intelligence, talent, management skills, and creativity!  But Friedan doesn’t buy it, for she notes that women have had to live vicariously through other people—their husband and kids—and they’ve lost their own identities in the process. 

Friedan’s discussion of Dorothy Thompson challenges the whole narrative of the feminist movement that I had in my head.  My narrative went like this: Although women may have worked outside of the home during World War II, they were mostly homemakers until the 1970′s, when the feminist movement emerged.  A few years earlier, in 1963, Betty Friedan’s Feminine Mystique lambasted the traditional role of women as wives and mothers, saying that women are discontent with it and desire fulfillment outside of the home, within the professional arena.  The feminist movement demanded professional opportunities for women in the 1970′s, and Phyllis Schlafly then came along to say that women should celebrate their traditional role as homemakers.

There may be some truth to my narrative, but where it’s problematic is here: this whole discussion was going on decades before the feminist movement and Phyllis Schlafly’s anti-ERA women even came on the scene!  As early as 1949, women were complaining about their role as wives and mothers, seeing it as boring and unfulfilling.  And Dorothy Thompson was telling them that they didn’t know how good they had it—that it was an honor to be a homemaker!   

Indeed, Betty Friedan observes changing attitudes toward women up to the time that she wrote The Feminine Mystique.  On pages 31-32, she talks about a discussion (presumably in the 1960′s) among magazine writers, and the editor of a women’s magazine said that his audience is interested in family concerns—sex, issues that impact the women’s children, etc.—rather than “national or international affairs.”  He acknowledges that many of his readers have high school and college educations, but he thinks that their primary interest is the domestic sphere.  On pages 32-35, Ms. Friedan contrasts this attitude with the articles in women’s magazines during the late 1930′s and the 1940′s, in which women had “spirit, courage, independence, determination—the strength of character they showed in their work as nurses, teachers, artists, actresses, copywriters, saleswomen” (33).  Men respected women for their passion and self-reliance.  And these stories were written for housewives, who hoped that their daughters would become more than homemakers.

But, when we reach the 1950′s, something happens.  Many women decide to become housewives.  They appear to have bought into the whole “feminine mystique” myth.  But, as Ms. Friedan has learned from interviews with hundreds of women and professionals, there are many women who are discontent in their role, and they can’t identify why (thus the title of Chapter 1, “The Problem That Has No Name”).  Society tells them that housewives are happy, but they don’t feel happy. 

Published in: on March 11, 2010 at 9:30 pm  Leave a Comment  

Halloween 2008

Today is Halloween. To read my Halloween reflections for last year, see Halloween 2007.

I’d like to spend tonight watching horror movies, but I checked out some more Joan of Arcadia DVDs, and I want to watch those before they’re due. Maybe I’ll watch Dracula sometime today–the one with Keanu Reeves, Anthony Hopkins, Winona Ryder, and Gary Oldman. I saw it several years ago, and it was scary!

I guess I don’t have too many Halloween reflections this year! I live inside an apartment complex, so trick-or-treaters don’t come to my door. I’m also not going to any parties tonight. In many respects, this is just another day.

It would be nice if TV ran some of my favorite Halloween specials. There’s the cheesy Highway to Heaven in which Michael Landon turned into a werewolf. (Of course, I won’t be surprised if the original classic will be on today). Or the Little House episode in which Laura thought Mr. Oleson cut off Mrs. Oleson’s head. I think there were a few Quantum Leap Halloween specials.

In any case, I’ll flip through the channels to see what’s on. And, of course, I’ll do some reading in the meantime.

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